week 6 | online | 9.29–10.6

📌 Weekly Structure (applies every week)


Week 6 Links & Notes
(specific to this week)

Live Sessions This Week:

👉 Join Live: Mon 9.29 @ noon – Weekly Review
→ [Join Here]

📺 Watch: Mon 9.29 Review → [Watch Here]

Looking Ahead (Week 7)

Weekly review will be pre-recorded, and week 7 will open Tues. Oct. 7th @noon due to In Service Day on Mon. October 6th.
Next live (recorded) session: Wed. Oct 8th @ noon (only live session in Week 7)


This week’s deadlines:
Tuesday, Oct. 7th @ noon

  • Due: Project 2 ideation (brainstorming, mindmaps, sketches) to Medium
  • 6. Rough Storyboard – Create in a sketchbook, using index cards (ideal for this project), or in software. Take photo/export and post to the bottom of your P2 Ideation Story on Medium
  • 5. Three Styleframes – Design in Illustrator or Photoshop. Export as JPEG and post to the bottom of recent Ideation Story on Medium. (also, post to D2L if you are not participating in live Zoom critique)
  • 7. D2L Critique Post to D2L Discussion “P2: 3 Styleframes & Storyboard”: IF you do not plan to participate in live Zoom critique (Tues–Thurs next week), you are required to post your 3 styleframes and rough storyboard to our critique in D2L “P2: Styleframes & Storyboard”.

  • Begin Exercise 3 (due Mon. Oct 13th)

Next week, we have Exercise 3, numerous AE demos, and continue our P2 development.

Next week, for P2, we will revise our storyboards, 2s motion test (Wednesday), and move on to developing our first 10–15s of P2 (Monday) for a Zoom or Discussion Board Critique. Next week includes additional AE Demos on Compound shapes, merge paths, trim paths, 3D shapes.


Weekly Content

Week 6 (though not required, it is recommended you move through in sequence. All items need to be complete by the of week):


  1. Attend or watch recording of Monday Zoom. We will review this week’s content.

    SECTION I – Transitions
  2. Review of Transition Resources

    SECTION II – P2
  3. Continue development of P2: Principles of Design in Motion
  4. Due next Tues 10.7: Project 2 ideation (brainstorming, mindmaps, sketches to Medium)
  5. Due next Tues 10.7: 3 Styleframes (post to Medium)
  6. Due next Tues 10.7: Rough Storyboard (post to Medium)
  7. Due next Tues 10.7: Post your 3 styleframes and storyboard to D2L “P2: Styleframes & Storyboard” by Tues @noon OR attend next Wednesday’s ZOOM Critique.

    Looking ahead (next Tues–Thurs): P2 Crit #1 – Styleframes -Comment on 3 others by Thursday@noon (if you do not attend Wednesday’s ZOOM). You only need to participate in one or the other.

    SECTION III – AE
  8. Watch Demo AE Videos
  9. Review After Effects Resources
  10. Begin Exercise 3 (due Mon. Oct 13th)


SECTION I – TRANSITIONS


SECTION II – P2

3.

Project 2: Principles of Design in Motion

due: Monday 10.27

Continue development of P2: Principles of Design in Motion. This week, we will continue with ideation and narrowing our ideas in the creation of a rough storyboard and 3 styleframes. This week, we will prepare for our critique on our 3 styleframes and storyboard. Next week, we will end by having a critique on our first 10–15s of motion development.

P2 Process Work

Post/Post to a story called “Principles of Design in Motion: Ideation” on Medium. How to post on Medium.

  • 4.Project 2 Initial Exploration:
    • Brainstorm 20 different themes. Then, select 8 principles and create 3 Mind Maps based on your top 3 themes; Consider the animation principles that may be used to correspond with each design principle. Research all principles and decide on a theme that can connect all of the ideas together and demonstrate the principles. Begin thumbnails for the top 3 themes.
    • Narrow to 1 concept after exploring and documenting 3 ideations.
    • Continue thumbnail sketches on 1 theme (brainstorm the animation principles that may be used to correspond with each design principle). Begin exploring concepts.
  • This image has an empty alt attribute; its file name is figure_10-850x207.jpg
  • 5. 3 Styleframes (1920px x 1080px): A single, STATIC frame that depicts the look and feel. Visual considerations coalesce with narrative, composition, and motion. All choices must be rooted in concept. Each styleframe should be a completely different visual direction and may pull from different conceptual directions. Using the same layout/composition, and simply changing the typeface will result in a grade deduction. Spend time creating three completely different visual directions, and avoid committing to “your favorite” too early on. Each direction should be strong. You will more than likely need to explore more than 3 visual directions to result in 3 strong directions. Consider breaking your design time into a minimum of two sessions (an initial sprint + a refinement session). Upload to the bottom of your Medium Process story you created last week.
  • 6. Rough Storyboard: (suggested methods: index cards OR .ai artboards OR storyboarding paper above): Brings together the script with the visuals. Indicate framing, as well as how elements will enter, exit, move throughout the frame. Minimum of 12 frames (title slide + 8 principles + consider transitions)
  • Optional: Create 1 moodboard on top 1 concept (include type exploration, image/illustration style, color, keywords).
  • 7. P2 Crit #1 Post your 3 styleframes and rough storyboard to Discussion Board on D2L “P2: Styleframes” (post by next Tues @ noon / 3 comments by Thurs @ noon. In D2L, go to Communications > Discussions). You only need to participate in the D2L critique if you do attend next Wednesday’s noon Zoom Critique.

    Looking ahead (next Tues-Thurs): P2 Crit #1 -Comment on 3 others by Thursday@noon (if you do not attend Wednesday’s live ZOOM). You only need to participate in one or the other.

Focus for Critique: 

TOPIC: What is the theme you are using to communicate the principles? What is the overarching idea (thinking, logic, thread) for your design? Brainstorm on the principles within your theme. (for example: If your theme is a game of pool, alignment could show the balls aligning together. If your theme is a designer's process of creating, alignment could show the final works pinned on the wall together in alignment.)

STYLEFRAMES: Which styleframe is most successful in communicating the visual style for your theme? Type, color, imagery, etc. Is there unity throughout? Color coding? Suggestions for improvement. 

MOTION: How can the motion could communicate the theme? (for example: A nature theme might connect the motion to the movement of growing. A magic show theme could connect the motion to the forms appear or disappearing.)


SECTION III – AE

8. AE Demos

In After Effects, this week we will review Pen Tool, Bezier Shapes, Adjustment Layers, Masks on images, Effects + Presets

9. AE Resources

10.

Exercise 3: The Power of Transformation (15pts)

This is the third of 4 exercises in this course. Please review the requirements and rubric before beginning.

This exercise challenges you to explore visual change over time—turning one thing into another in a way that feels intentional and connected.

Objective: Create a 5–10 second composition that clearly shows a transformation or evolution.
Transformation can be:

  • Literal: Object A becomes Object B (e.g., a caterpillar turning into a butterfly).
  • Conceptual: A feeling or idea changes (e.g., anger dissolving into calm).
  • Environmental: A scene changes over time (e.g., night becomes day, seasons shift).

Your goal is to show that change in a way the viewer can follow—avoid random image swaps. Every element should help tell the story of “before → after.”

Narrative: Define a clear visual story that shows the evolution of your objects and images. Avoid random placements—each element should have a purpose in the transformation process.

Tips: Think of this as a “mini-story”: beginning (current state), middle (change happening), and end (new state). No need for complex characters: focus on simple imagery that shows clear “before/after.” Less can be more: keep it simple, but make sure each step feels connected. Use transformation effects with purpose: don’t just add effects randomly—ask, “Does this help show the change?”

How to Show the Transformation:
You can create transitions in many ways, for example:

  • Opacity / Dissolve: one image slowly fades out while the next fades in
  • Morph-like Motion: scale, rotate, or warp elements so they appear to “become” something new
  • Color & Effects: use a color shift, blur, or distortion to signal change
  • Mask Reveals: animate masks or track mattes to reveal the next image underneath
  • Position / Motion Paths: slide one image out while the next slides in, making them overlap for continuity

Use transformation effects with purpose—ask, “Does this help show the change?”


Exercise 3 Instructions

Exercise 3 Rubric